Form is all we have

I was recently watching a master class with Jason Robert Brown and The Dramatists Guild of America.  Therein Brown said something that struck me (this was said in conversation – don’t judge the grammar too harshly):

“Structure is our whole deal – structure is the whole game.  That’s all we’ve got really, as composers.  Everybody’s got notes.  All we can do it to arrange those notes within a certain structure.”

Wow. This is huge. I mean, it must be true – he does have three names and all…Continue reading

Poetry, not lyrics

There is a book of poetry on the shelf next to our dining room that my daughter will bring to me sometime during dinner that I might read a few verses after dinner. Yes, it does sound like something out of Little House on the Prairie.

william blakeThe book is the collected poems of William Blake. Within it there is an almost chronological progression of his poetry moving for the songs of innocence to songs of experience to much more epic content.

There is one poem that, in typical Conley fashion, I have become really obsessed with a poem that has struck me because of both its form and content. Take a look:Continue reading

Lyrics, not poetry

Over the past few months I have been reading quite a bit about different perspectives concerning writing musical theater lyrics. There is a large body of text out there on the subject as well as actual lyrics to be studied and dissected. One concept that is harped on over and over again is the idea of simplicity.

cole porterPerhaps it goes without saying, but theater lyrics exist within a show – they are heard once and often in quick rhythm. Therefore it is important not to overload the lyric with too many words or words that are difficult to understand when sung. In other words, keep it simple…stupid.

The first time I heard this I got pretty defensive.

Continue reading